| Title: | Sound Sphere | |
|---|---|---|
| Production year:Year: | 2011 | |
| Material: | カセットテープ、カセットプレーヤー | |
| Cassette tape, Cassette player | ||
| Width(mm): | 200(S) / 250(M) / 300(L) | |
| Depth(mm): | 200(S) / 250(M) / 300(L) | |
| Height(mm): | 200(S) / 250(M) / 300(L) |
vimeo.com/102315149
球体に巻かれたカセットテープと、それを再生させる装置によって構成されたインスタレーション。球体のテープは始まりも終わりもなく、ランダムに動きノイズを発し続ける。
大きさの異なる球体は、それぞれの表面積に比例する長さの時間が巻き付けられている。直線的な時間は球に巻くことにより位置と時間の関係性を失い、そのことで意味が失われる（つまり、意味が生まれる）。音の記録は時間関係が重要なファクターを持つ。
An installation consisting of cassette tape wound around a spherical object and a device to play its sound. There is no start nor end of the tape on the sphere and it continues to move randomly, emitting noises.
Varying sizes of globes are covered with a length of time that is proportional to their surface area. When linear time is wound around a sphere, it is deprived of the relationship between place and time, and thus also loses its meaning (or in other words, causes meaning to arise). Temporal relationships are a decisive factor in the recording of sound.
High-resolution images
| Title | DownloadDL | PhotographerPhoto | Courtesy |
|---|---|---|---|
| Sound Sphere (TYPE II) | Fig.1150 | Nobutada Omote | |
| Sound Sphere (TYPE II) | Fig.1153 | Nobutada Omote | |
| Sound Sphere (TYPE I) | Fig.1151 | Nobutada Omote | |
| Sound Sphere (TYPE I) | Fig.1152 | Nobutada Omote | |
| Installation view at Mystetskyi arsenal | Fig.1950 | Victoria Salova | |
| Installation view at MOT | Fig.1145 | Ryota Atarashi | Museum of Contemporary Art Tokyo |
| Installation view at MOT | Fig.1146 | Ryota Atarashi | Museum of Contemporary Art Tokyo |
| Installation view at MOT | Fig.1147 | Ryota Atarashi | Museum of Contemporary Art Tokyo |
| Installation view at MOT | Fig.1148 | Ryota Atarashi | Museum of Contemporary Art Tokyo |
| Installation view at KCUA | Fig.1149 | Rui Mizuki |
